Extension | Answer Cult

Keys Old

Filed Under (Uncategorized) by admin on 19-05-2009

Tagged Under : black, blog, extension, locks, summer08

Keys Old

The Keys
$7.43
The Keys

The Keys
$17.99
The Keys

The Keys
$20.76
The Keys

The Keys
$10.54
The Keys

Keys
$10.99
Keys

Keys To the House
$8.99
Gianni is reunited with Paolo, the 15-year-old son he has never seen - a son he abandoned at birth. The reunion is not Gianni's idea - it is that of Paolo's doctor who hopes the connection will benefit the troubled boy. Gianni experiences a Pandora's box in Paolo, full of shocks and wonders, but the keys to one's house are often the keys to one's heart.

Keys to Paradise
$15.1
The Keys to Paradise is a book that points to the straight path to the salvation of the Almighty God. And it makes clear that reliance on the Old Testament and the New Testament in their present state/form is like one using a raft to journey on ocean waters through tempest and fog blindfolded. This book serves as a compass and a rudder to journey successfully from the contaminated and troubled waters orchestrated by the accursed Satan to the straight path to the salvation of the Almighty God.

The Keys to Adventure
$9.4
Ten year old Laurey McKay discovers magical adventures and the love and appreciation of family through music.

Ten Keys to the Bible
$28.94
Ten Keys to the Bible describes ten critical principles that you should learn in order to fully profit from your Bible studies. These principles are like keys that open the doors to the Bible. Using these keys will illuminate page after page of the Bible's stories and teachings - in a way that Sunday School never did for you! Like any tool, you must first master the Keys themselves. Then you can apply the Keys to even familiar passages to start seeing the depth in God's Word, and the grand design of Salvation that connects the Old and New Testaments. ... (Paperback, B&W interior)

Esoteric Keys of Alchemy
$26.33
Once accessible only to private members, these keys of esoteric wisdom have finally been made available to the public. Unlock the intentionally cryptic alchemical writings that have confounded so many seekers. Discover the hidden teachings on the true spiritual and transformational nature of the alchemical process. Explore the historical writings of the alchemists of old. Paul Foster Case deciphered these mysteries for students of his School of Ageless Wisdom in a step-by-step process. As he pulls on the thread of the tapestry, the whole veil unravels, giving you a glimpse of the hidden meaning and intent. Esoteric Keys of Alchemy uniquely combines the teachings of the Western Mystery Tradition with the writings of the Yogis of the East to unveil the universal nature of those mysteries.

The Black Keys - Rubber Factory
$14.98
Though the Black Keys resemble post-punk garage revivalists like the White Stripes, and are likely to raise an eyebrow among old-school blues purists, the duo packs a serious blues punch. The minimal sound of RUBBER FACTORY moves on the rickety skeleton of Dan Auerbach`s fuzzed-out guitar and Patrick Carney`s no-frills drumming, and stays true to the raw, electric blues for which the Fat Possum label (the Black Keys` home) is rightfully famous.RUBBER FACTORY bears the ghosts of Fat Possum artists like Junior Kimbrough and CeDell Davis, and through them, naturally, electric pioneers like Muddy Waters. The Keys mine this tradition admirably, with a sincere approach to the blues idiom bolstered by Auerbach`s soulful vocals and the duo`s stripped-down, juke-joint sound. But the Keys are not merely paying homage. Instead, they layer funky grooves ("The Desperate Man"), NUGGETS-inspired grunge ("10 A.M. Automatic"), a love of 1970s hard rock ("Grown So Ugly"), and the influence of contemporary indie rock (the acoustic "The Lengths") on their blues structures. In doing so, they achieve a ragged hybrid that stays fiercely true to the roots of blues, while updating the genre for younger generations. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

The Black Keys - Rubber Factory
$15.55
Though the Black Keys resemble post-punk garage revivalists like the White Stripes, and are likely to raise an eyebrow among old-school blues purists, the duo packs a serious blues punch. The minimal sound of RUBBER FACTORY moves on the rickety skeleton of Dan Auerbach`s fuzzed-out guitar and Patrick Carney`s no-frills drumming, and stays true to the raw, electric blues for which the Fat Possum label (the Black Keys` home) is rightfully famous.RUBBER FACTORY bears the ghosts of Fat Possum artists like Junior Kimbrough and CeDell Davis, and through them, naturally, electric pioneers like Muddy Waters. The Keys mine this tradition admirably, with a sincere approach to the blues idiom bolstered by Auerbach`s soulful vocals and the duo`s stripped-down, juke-joint sound. But the Keys are not merely paying homage. Instead, they layer funky grooves ("The Desperate Man"), NUGGETS-inspired grunge ("10 A.M. Automatic"), a love of 1970s hard rock ("Grown So Ugly"), and the influence of contemporary indie rock (the acoustic "The Lengths") on their blues structures. In doing so, they achieve a ragged hybrid that stays fiercely true to the roots of blues, while updating the genre for younger generations. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

The Black Keys - Rubber Factory
$13.3
Though the Black Keys resemble post-punk garage revivalists like the White Stripes, and are likely to raise an eyebrow among old-school blues purists, the duo packs a serious blues punch. The minimal sound of RUBBER FACTORY moves on the rickety skeleton of Dan Auerbach`s fuzzed-out guitar and Patrick Carney`s no-frills drumming, and stays true to the raw, electric blues for which the Fat Possum label (the Black Keys` home) is rightfully famous.RUBBER FACTORY bears the ghosts of Fat Possum artists like Junior Kimbrough and CeDell Davis, and through them, naturally, electric pioneers like Muddy Waters. The Keys mine this tradition admirably, with a sincere approach to the blues idiom bolstered by Auerbach`s soulful vocals and the duo`s stripped-down, juke-joint sound. But the Keys are not merely paying homage. Instead, they layer funky grooves ("The Desperate Man"), NUGGETS-inspired grunge ("10 A.M. Automatic"), a love of 1970s hard rock ("Grown So Ugly"), and the influence of contemporary indie rock (the acoustic "The Lengths") on their blues structures. In doing so, they achieve a ragged hybrid that stays fiercely true to the roots of blues, while updating the genre for younger generations. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

Alicia Keys - Songs In A Minor
$9.99
Personnel: Alicia Keys (vocals, various instruments, piano, keyboards); Jimmy Cozier (vocals): Gerald "G" Flowers, Arty White (guitar); Miri (violin); Isaac Hayes (Fender Rhodes piano); Brian Cox (keyboards); Richie Good (upright bass); Tim Shider, Vic Flowers, Rufus Jackson (electric bass); Norman Hedman (percussion); Kerry "Krucial" Brothers, Anthony Nance (programming); Cindy Mizelle, Tammy Saunders, Andricka Hall, Paul L. Green, Kandi B (background vocals).Producers: Jermaine Dupri, Brian McKnight, Alicia Keys, Kerry "Krucial" Brothers.Alicia Keys won the 2002 Grammy Award for Best New Artist. SONGS IN A MINOR won the 2002 Grammy Award for Best R&B Album. "Fallin`" won the 2002 Grammy Awards for Best Female R&B Vocal Performance and for Best R&B Song.Personnel: Alicia Keys (vocals, piano, keyboards, background vocals); Arty White, Cato (guitar); Isaac Hayes (Fender Rhodes piano); John Peters (organ); Brian Cox (keyboards); Richie Goods (acoustic bass, electric bass); Norman Hedman (percussion); Kerry Brothers, Anthony Nance (drum programming); Cindy Mizelle, Kandi Burruss, Paul Green, Andricka Hall (background vocals).Audio Mixers: Manny Marroquin; Gerry "The Gov" Brown; Phil Tan; Russell Elevado; Tony Maserati.Audio Remixer: Alicia Keys.Recording information: Backroom Studios, Glendale, CA; Battery Sounds, New York, NY; Battery Studios, New York, NY; Doppler Studio, Atlanta, GA; Hit Factory, New York, NY; KrucialKeys Studios, New York, NY; SouthSide Studios, Atlanta, GA; The Hit Factory, New York, NY; Unique Recording Studios, New York, NY.Photographer: Tony Duran.Unknown Contributor Role: Tim Shider.Arrangers: Kandi; Kandi Burruss; Alicia Keys.Picture Roberta Flack with hip-hop trimmings or D`Angelo coming at the world from a female perspective and you get an idea of the immense talent welling up from musical prodigy Alicia Keys. Blessed with a soulful voice, mature-beyond-her-years songwriting, and a classically trained command of piano, it`s no wonder music mogul Clive Davis brought the 20-year old performer over from Arista as one of the flagship artists for his new label J Records. Keys displays impressive range on this primarily self-penned debut that finds her taking part in arranging and/or production on every cut, once again redeeming Davis`s instincts.Besides the well-earned buzz for the gripping love-and-loathe single "Fallin`," Keys earns high marks for fusing rap beats and vintage Aretha on a confidently delivered cover of Prince`s "How Come You Don`t Call Me." Elsewhere, the native New Yorker`s flow finds her traversing the same ground as early-`70s Stevie Wonder on the thought-provoking "The Life," while "Goodbye" proves to be the quintessential Quiet Storm kiss-off. Keys wraps up SONGS with a sanctified mix of stride piano, lush strings, and gospel-flavored back-up singers on "Lovin` U." Copyright (C) Muze Inc. 200

Alicia Keys - Songs In A Minor
$10.36
Personnel: Alicia Keys (vocals, various instruments, piano, keyboards); Jimmy Cozier (vocals): Gerald "G" Flowers, Arty White (guitar); Miri (violin); Isaac Hayes (Fender Rhodes piano); Brian Cox (keyboards); Richie Good (upright bass); Tim Shider, Vic Flowers, Rufus Jackson (electric bass); Norman Hedman (percussion); Kerry "Krucial" Brothers, Anthony Nance (programming); Cindy Mizelle, Tammy Saunders, Andricka Hall, Paul L. Green, Kandi B (background vocals).Producers: Jermaine Dupri, Brian McKnight, Alicia Keys, Kerry "Krucial" Brothers.Alicia Keys won the 2002 Grammy Award for Best New Artist. SONGS IN A MINOR won the 2002 Grammy Award for Best R&B Album. "Fallin`" won the 2002 Grammy Awards for Best Female R&B Vocal Performance and for Best R&B Song.Personnel: Alicia Keys (vocals, piano, keyboards, background vocals); Arty White, Cato (guitar); Isaac Hayes (Fender Rhodes piano); John Peters (organ); Brian Cox (keyboards); Richie Goods (acoustic bass, electric bass); Norman Hedman (percussion); Kerry Brothers, Anthony Nance (drum programming); Cindy Mizelle, Kandi Burruss, Paul Green, Andricka Hall (background vocals).Audio Mixers: Manny Marroquin; Gerry "The Gov" Brown; Phil Tan; Russell Elevado; Tony Maserati.Audio Remixer: Alicia Keys.Recording information: Backroom Studios, Glendale, CA; Battery Sounds, New York, NY; Battery Studios, New York, NY; Doppler Studio, Atlanta, GA; Hit Factory, New York, NY; KrucialKeys Studios, New York, NY; SouthSide Studios, Atlanta, GA; The Hit Factory, New York, NY; Unique Recording Studios, New York, NY.Photographer: Tony Duran.Unknown Contributor Role: Tim Shider.Arrangers: Kandi; Kandi Burruss; Alicia Keys.Picture Roberta Flack with hip-hop trimmings or D`Angelo coming at the world from a female perspective and you get an idea of the immense talent welling up from musical prodigy Alicia Keys. Blessed with a soulful voice, mature-beyond-her-years songwriting, and a classically trained command of piano, it`s no wonder music mogul Clive Davis brought the 20-year old performer over from Arista as one of the flagship artists for his new label J Records. Keys displays impressive range on this primarily self-penned debut that finds her taking part in arranging and/or production on every cut, once again redeeming Davis`s instincts.Besides the well-earned buzz for the gripping love-and-loathe single "Fallin`," Keys earns high marks for fusing rap beats and vintage Aretha on a confidently delivered cover of Prince`s "How Come You Don`t Call Me." Elsewhere, the native New Yorker`s flow finds her traversing the same ground as early-`70s Stevie Wonder on the thought-provoking "The Life," while "Goodbye" proves to be the quintessential Quiet Storm kiss-off. Keys wraps up SONGS with a sanctified mix of stride piano, lush strings, and gospel-flavored back-up singers on "Lovin` U." Copyright (C) Muze Inc. 200

Alicia Keys - Songs In A Minor
$8.86
Personnel: Alicia Keys (vocals, various instruments, piano, keyboards); Jimmy Cozier (vocals): Gerald "G" Flowers, Arty White (guitar); Miri (violin); Isaac Hayes (Fender Rhodes piano); Brian Cox (keyboards); Richie Good (upright bass); Tim Shider, Vic Flowers, Rufus Jackson (electric bass); Norman Hedman (percussion); Kerry "Krucial" Brothers, Anthony Nance (programming); Cindy Mizelle, Tammy Saunders, Andricka Hall, Paul L. Green, Kandi B (background vocals).Producers: Jermaine Dupri, Brian McKnight, Alicia Keys, Kerry "Krucial" Brothers.Alicia Keys won the 2002 Grammy Award for Best New Artist. SONGS IN A MINOR won the 2002 Grammy Award for Best R&B Album. "Fallin`" won the 2002 Grammy Awards for Best Female R&B Vocal Performance and for Best R&B Song.Personnel: Alicia Keys (vocals, piano, keyboards, background vocals); Arty White, Cato (guitar); Isaac Hayes (Fender Rhodes piano); John Peters (organ); Brian Cox (keyboards); Richie Goods (acoustic bass, electric bass); Norman Hedman (percussion); Kerry Brothers, Anthony Nance (drum programming); Cindy Mizelle, Kandi Burruss, Paul Green, Andricka Hall (background vocals).Audio Mixers: Manny Marroquin; Gerry "The Gov" Brown; Phil Tan; Russell Elevado; Tony Maserati.Audio Remixer: Alicia Keys.Recording information: Backroom Studios, Glendale, CA; Battery Sounds, New York, NY; Battery Studios, New York, NY; Doppler Studio, Atlanta, GA; Hit Factory, New York, NY; KrucialKeys Studios, New York, NY; SouthSide Studios, Atlanta, GA; The Hit Factory, New York, NY; Unique Recording Studios, New York, NY.Photographer: Tony Duran.Unknown Contributor Role: Tim Shider.Arrangers: Kandi; Kandi Burruss; Alicia Keys.Picture Roberta Flack with hip-hop trimmings or D`Angelo coming at the world from a female perspective and you get an idea of the immense talent welling up from musical prodigy Alicia Keys. Blessed with a soulful voice, mature-beyond-her-years songwriting, and a classically trained command of piano, it`s no wonder music mogul Clive Davis brought the 20-year old performer over from Arista as one of the flagship artists for his new label J Records. Keys displays impressive range on this primarily self-penned debut that finds her taking part in arranging and/or production on every cut, once again redeeming Davis`s instincts.Besides the well-earned buzz for the gripping love-and-loathe single "Fallin`," Keys earns high marks for fusing rap beats and vintage Aretha on a confidently delivered cover of Prince`s "How Come You Don`t Call Me." Elsewhere, the native New Yorker`s flow finds her traversing the same ground as early-`70s Stevie Wonder on the thought-provoking "The Life," while "Goodbye" proves to be the quintessential Quiet Storm kiss-off. Keys wraps up SONGS with a sanctified mix of stride piano, lush strings, and gospel-flavored back-up singers on "Lovin` U." Copyright (C) Muze Inc. 200

Wally Rose - Whippin` the Keys
$15.98
Personnel: Wally Rose (piano).Recording information: 09/06/1968/06/28/1971.Pianaist and ragtime revivalist Wally Rose may pledge allegiance to vintage traditional jazz, but that doesn`t keep him from attacking the 88`s with a sense of abandon. Rose played with a number of popular revival outfits in the 1940s and `50s, before embarking on a solo career that lasted well into the `80s. The 2008 twofer WHIPPIN` THE KEYS brings together a pair of Rose`s albums (1968`s ROSE ON PIANO and the above-mentioned album, originally released in 1971). There are 20 ragtime numbers in all, enough to please even the most diehard old-timey jazz fan. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

Wally Rose - Whippin` the Keys
$14.19
Personnel: Wally Rose (piano).Recording information: 09/06/1968/06/28/1971.Pianaist and ragtime revivalist Wally Rose may pledge allegiance to vintage traditional jazz, but that doesn`t keep him from attacking the 88`s with a sense of abandon. Rose played with a number of popular revival outfits in the 1940s and `50s, before embarking on a solo career that lasted well into the `80s. The 2008 twofer WHIPPIN` THE KEYS brings together a pair of Rose`s albums (1968`s ROSE ON PIANO and the above-mentioned album, originally released in 1971). There are 20 ragtime numbers in all, enough to please even the most diehard old-timey jazz fan. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

Wally Rose - Whippin` the Keys
$16.59
Personnel: Wally Rose (piano).Recording information: 09/06/1968/06/28/1971.Pianaist and ragtime revivalist Wally Rose may pledge allegiance to vintage traditional jazz, but that doesn`t keep him from attacking the 88`s with a sense of abandon. Rose played with a number of popular revival outfits in the 1940s and `50s, before embarking on a solo career that lasted well into the `80s. The 2008 twofer WHIPPIN` THE KEYS brings together a pair of Rose`s albums (1968`s ROSE ON PIANO and the above-mentioned album, originally released in 1971). There are 20 ragtime numbers in all, enough to please even the most diehard old-timey jazz fan. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

The Keys of Middle-Earth
$34.64
Introduces Old and Middle English Literature through Tolkein''s The Hobbit and Lord of the Rings.

The Bo-Keys - The Royal Sessions
$16.78
The Bo-Keys: Skip Pitts (vocals, guitar); Ronnie Wiliams (vocals, Hammond B-3 organ); Willie Hall (vocals, drums, percussion); Scott Bomar (bass, percussion).Additional personnel: Marc Franklin (trumpet); Jim Spake (tenor & baritone saxophones); Hector Diaz (percussion).Recorded at Royal Studios, Memphis, Tennessee.Personnel: Willie Hall (vocals, drums, percussion); Ronnie Williams (vocals); Jim Spake (tenor saxophone, baritone saxophone); Marc Franklin (trumpet); Hector Diaz, Scott Bomar (percussion).Audio Mixers: Doug Easley; Archie Mitchell; Kevin Houston ; Scott Bomar.Liner Note Author: Andrea Lisle.Recording information: Willie Mitchell`s Royal Studios, Memphis.Photographers: Yancey J. Allison; Ben Couvillion.Arranger: Ronnie Williams.What of a predominantly instrumental soul group called the Bo-Keys? Well, the wordplay on two classic Memphis soul bands, the Mar-Keys and the Bar-Kays, might be off-putting if it weren`t for the fact they are from Memphis. But that`s just the starting point: While the band is led by Scott Bomar, the 28-year-old bass player from the Impalas, two of its members, drummer Willie Hall and B-3 boss Ronnie Williams, played with the legendary Bar-Kays` Isaac Hayes, and David Porter; Charles Pitts, the guitar player, is the wah-wah guy on "Theme From Shaft" and Rufus Thomas` "Funky Chicken." Finally, this set is called The Royal Sessions because it was recorded live from the floor in Willie Mitchell`s Royal Studios in Memphis, with him hanging out during the sessions. So the pedigree is there. Bomar also added the horn section of Memphians Marc Franklin and Jim Spake to the proceedings, both of them veterans of Al Green`s and Bobby "Blue" Bland`s outfits, and veteran percussionist Hector Diaz, as well. Musically, this is funky, greasy, gritty soul, rooted in the tradition, but is timeless in its heat-seeking groove stealth. The Bo-Keys write killer tunes, with lots of stinging guitar, wailing organ and in-the-pocket backbeats -- check "Deuce and a Quarter," "Seven and 7," the souled-out Latin-flavored funk of "Spanish Delight," the bassed-up bluesy horn stroll in "Under the Table," or the trippy, in-the-mud organ and percussion funk orgy "Bling Bling," that closes the album. In addition, they cover some of the classics, such as Jimmy Smith`s jukebox groover "Back at the Chicken Shack," and James Brown`s "Doin` It to Death." This is the real stuff made by cats who have been doin` it all their lives; it is the perfect disc for that time when the party kicks into overdrive, or for cruising the boulevard, or whatever gives you pleasure. It also signifies that with the arrival of the great young soulmen and women on the scene -- Ellis Hooks, Joss Stone, and Ricky FantÂ¿ to name three -- that something akin to a real revival is on the good foot in the early part of the 21st century. ~ Thom Jurek Copyright (C)

The Bo-Keys - The Royal Sessions
$17.42
The Bo-Keys: Skip Pitts (vocals, guitar); Ronnie Wiliams (vocals, Hammond B-3 organ); Willie Hall (vocals, drums, percussion); Scott Bomar (bass, percussion).Additional personnel: Marc Franklin (trumpet); Jim Spake (tenor & baritone saxophones); Hector Diaz (percussion).Recorded at Royal Studios, Memphis, Tennessee.Personnel: Willie Hall (vocals, drums, percussion); Ronnie Williams (vocals); Jim Spake (tenor saxophone, baritone saxophone); Marc Franklin (trumpet); Hector Diaz, Scott Bomar (percussion).Audio Mixers: Doug Easley; Archie Mitchell; Kevin Houston ; Scott Bomar.Liner Note Author: Andrea Lisle.Recording information: Willie Mitchell`s Royal Studios, Memphis.Photographers: Yancey J. Allison; Ben Couvillion.Arranger: Ronnie Williams.What of a predominantly instrumental soul group called the Bo-Keys? Well, the wordplay on two classic Memphis soul bands, the Mar-Keys and the Bar-Kays, might be off-putting if it weren`t for the fact they are from Memphis. But that`s just the starting point: While the band is led by Scott Bomar, the 28-year-old bass player from the Impalas, two of its members, drummer Willie Hall and B-3 boss Ronnie Williams, played with the legendary Bar-Kays` Isaac Hayes, and David Porter; Charles Pitts, the guitar player, is the wah-wah guy on "Theme From Shaft" and Rufus Thomas` "Funky Chicken." Finally, this set is called The Royal Sessions because it was recorded live from the floor in Willie Mitchell`s Royal Studios in Memphis, with him hanging out during the sessions. So the pedigree is there. Bomar also added the horn section of Memphians Marc Franklin and Jim Spake to the proceedings, both of them veterans of Al Green`s and Bobby "Blue" Bland`s outfits, and veteran percussionist Hector Diaz, as well. Musically, this is funky, greasy, gritty soul, rooted in the tradition, but is timeless in its heat-seeking groove stealth. The Bo-Keys write killer tunes, with lots of stinging guitar, wailing organ and in-the-pocket backbeats -- check "Deuce and a Quarter," "Seven and 7," the souled-out Latin-flavored funk of "Spanish Delight," the bassed-up bluesy horn stroll in "Under the Table," or the trippy, in-the-mud organ and percussion funk orgy "Bling Bling," that closes the album. In addition, they cover some of the classics, such as Jimmy Smith`s jukebox groover "Back at the Chicken Shack," and James Brown`s "Doin` It to Death." This is the real stuff made by cats who have been doin` it all their lives; it is the perfect disc for that time when the party kicks into overdrive, or for cruising the boulevard, or whatever gives you pleasure. It also signifies that with the arrival of the great young soulmen and women on the scene -- Ellis Hooks, Joss Stone, and Ricky FantÂ¿ to name three -- that something akin to a real revival is on the good foot in the early part of the 21st century. ~ Thom Jurek Copyright (C)

The Bo-Keys - The Royal Sessions
$14.9
The Bo-Keys: Skip Pitts (vocals, guitar); Ronnie Wiliams (vocals, Hammond B-3 organ); Willie Hall (vocals, drums, percussion); Scott Bomar (bass, percussion).Additional personnel: Marc Franklin (trumpet); Jim Spake (tenor & baritone saxophones); Hector Diaz (percussion).Recorded at Royal Studios, Memphis, Tennessee.Personnel: Willie Hall (vocals, drums, percussion); Ronnie Williams (vocals); Jim Spake (tenor saxophone, baritone saxophone); Marc Franklin (trumpet); Hector Diaz, Scott Bomar (percussion).Audio Mixers: Doug Easley; Archie Mitchell; Kevin Houston ; Scott Bomar.Liner Note Author: Andrea Lisle.Recording information: Willie Mitchell`s Royal Studios, Memphis.Photographers: Yancey J. Allison; Ben Couvillion.Arranger: Ronnie Williams.What of a predominantly instrumental soul group called the Bo-Keys? Well, the wordplay on two classic Memphis soul bands, the Mar-Keys and the Bar-Kays, might be off-putting if it weren`t for the fact they are from Memphis. But that`s just the starting point: While the band is led by Scott Bomar, the 28-year-old bass player from the Impalas, two of its members, drummer Willie Hall and B-3 boss Ronnie Williams, played with the legendary Bar-Kays` Isaac Hayes, and David Porter; Charles Pitts, the guitar player, is the wah-wah guy on "Theme From Shaft" and Rufus Thomas` "Funky Chicken." Finally, this set is called The Royal Sessions because it was recorded live from the floor in Willie Mitchell`s Royal Studios in Memphis, with him hanging out during the sessions. So the pedigree is there. Bomar also added the horn section of Memphians Marc Franklin and Jim Spake to the proceedings, both of them veterans of Al Green`s and Bobby "Blue" Bland`s outfits, and veteran percussionist Hector Diaz, as well. Musically, this is funky, greasy, gritty soul, rooted in the tradition, but is timeless in its heat-seeking groove stealth. The Bo-Keys write killer tunes, with lots of stinging guitar, wailing organ and in-the-pocket backbeats -- check "Deuce and a Quarter," "Seven and 7," the souled-out Latin-flavored funk of "Spanish Delight," the bassed-up bluesy horn stroll in "Under the Table," or the trippy, in-the-mud organ and percussion funk orgy "Bling Bling," that closes the album. In addition, they cover some of the classics, such as Jimmy Smith`s jukebox groover "Back at the Chicken Shack," and James Brown`s "Doin` It to Death." This is the real stuff made by cats who have been doin` it all their lives; it is the perfect disc for that time when the party kicks into overdrive, or for cruising the boulevard, or whatever gives you pleasure. It also signifies that with the arrival of the great young soulmen and women on the scene -- Ellis Hooks, Joss Stone, and Ricky FantÂ¿ to name three -- that something akin to a real revival is on the good foot in the early part of the 21st century. ~ Thom Jurek Copyright (C)

The 12 Keys to Spiritual Vitality
$11.54
Although God intended us to physically age, there is a decided difference between aging and growing old. Ageless in the Lord helps readers accept their physical maturation by reveling in their mental and spiritual vitality.

The 12 Keys to Spiritual Vitality
$10.25
Although God intended us to physically age, there is a decided difference between aging and growing old. Ageless in the Lord helps readers accept their physical maturation by reveling in their mental and spiritual vitality.

The 12 Keys to Spiritual Vitality
$11.98
Although God intended us to physically age, there is a decided difference between aging and growing old. Ageless in the Lord helps readers accept their physical maturation by reveling in their mental and spiritual vitality.

The Seven Keys of Balabad
$10.57
Balabad is the birthplace of the international secret society known as the Brotherhood of Arachosia. Balabad is also home to Oliver Finch, whose life if pretty dull until a 500-year-old sacred carpet is stolen and one of the few friends he has disappears. Oliver is determined to figure out what exactly is going on.

The Seven Keys of Balabad
$5.99
Balabad is birthplace of the international secret society known as the Brotherhood of Arachosia--and rumored hiding place of the grandest riches the world has ever known. Each day runs into the next for Oliver Finch until a 500-year-old sacred carpet is stolen.

Master of the Four Keys of Time
$19.45
Within a fast moving fantasy adventure story, four children from the old and new worlds discover an ancient and very strange legend that is as old as creation itself. After opening a long sealed box of time, they become united to face a final battle in the eternal confrontation between good and evil, the outcome of which will ultimately decide the fate of all humanity. The key to world peace is in the hands of youth. But the clock is ticking toward universal destruction. Can the strange, living legend Cartoon Buddy Club Penguin People Cartoon creatures that the children find, help them in their quest to keep Peace in Time?... Only Time will tell.

The Black Keys - Attack and Release
$12.43
Artist-approved notes and tab for the songs off this Akron duo''s 2008 CD, produced by Danger Mouse. Contains I Got Mine - one of Rolling Stone''s 100 best songs of the year - and: All You Ever Wanted * I Got Mine * Lies * Oceans and Streams * Psychotic Girl * Remember When (Side A) * Remember When (Side B) * Same Old Thing * So He Won''t Break * Strange Times * Things Ain''t like They Used to Be, plus an intro/band bio.

The Seven Keys of Balabad (Paperback)
$6.92
Inspired by the years he spent in Afghanistan and Pakistan as bureau chief with The Associated Press, Paul Haven`s intricately crafted tale is filled with details of everyday life in this remote and frequently overlooked part of the world. Loosely based on the legendary Golden Hoard of Bactria--the renowned hidden treasure discovered in northern Afghanistan in 1978--this fast-paced middle-grade novel will appeal to readers who like their twists and turns filled with mysterious characters, exotic locales, and an utterly relatable protagonist. Welcome to Balabad, birthplace of the international secret society known as the Brotherhood of Arachosia--and rumored hiding place of the grandest riches the world has ever known. Balabad is also the country Oliver Finch has called home ever since his father was reassigned to this dull, war-torn dust bowl. Each day runs into the next for Oliver until a five-hundred-year-old sacred carpet is stolen. Then one of the few friends he has disappears. Oliver is determined to figure out what exactly is going on. But in order to do that he`ll have to consult with a one-eyed warrior, track down the far-flung members of the Brotherhood, and unlock a centuries-old secret! Suddenly, life in Balabad for Oliver has become a whole lot more interesting . . . and dangerous.

The Seven Keys of Balabad (Paperback)
$6.15
Inspired by the years he spent in Afghanistan and Pakistan as bureau chief with The Associated Press, Paul Haven`s intricately crafted tale is filled with details of everyday life in this remote and frequently overlooked part of the world. Loosely based on the legendary Golden Hoard of Bactria--the renowned hidden treasure discovered in northern Afghanistan in 1978--this fast-paced middle-grade novel will appeal to readers who like their twists and turns filled with mysterious characters, exotic locales, and an utterly relatable protagonist. Welcome to Balabad, birthplace of the international secret society known as the Brotherhood of Arachosia--and rumored hiding place of the grandest riches the world has ever known. Balabad is also the country Oliver Finch has called home ever since his father was reassigned to this dull, war-torn dust bowl. Each day runs into the next for Oliver until a five-hundred-year-old sacred carpet is stolen. Then one of the few friends he has disappears. Oliver is determined to figure out what exactly is going on. But in order to do that he`ll have to consult with a one-eyed warrior, track down the far-flung members of the Brotherhood, and unlock a centuries-old secret! Suddenly, life in Balabad for Oliver has become a whole lot more interesting . . . and dangerous.

The Seven Keys of Balabad (Paperback)
$7.19
Inspired by the years he spent in Afghanistan and Pakistan as bureau chief with The Associated Press, Paul Haven`s intricately crafted tale is filled with details of everyday life in this remote and frequently overlooked part of the world. Loosely based on the legendary Golden Hoard of Bactria--the renowned hidden treasure discovered in northern Afghanistan in 1978--this fast-paced middle-grade novel will appeal to readers who like their twists and turns filled with mysterious characters, exotic locales, and an utterly relatable protagonist. Welcome to Balabad, birthplace of the international secret society known as the Brotherhood of Arachosia--and rumored hiding place of the grandest riches the world has ever known. Balabad is also the country Oliver Finch has called home ever since his father was reassigned to this dull, war-torn dust bowl. Each day runs into the next for Oliver until a five-hundred-year-old sacred carpet is stolen. Then one of the few friends he has disappears. Oliver is determined to figure out what exactly is going on. But in order to do that he`ll have to consult with a one-eyed warrior, track down the far-flung members of the Brotherhood, and unlock a centuries-old secret! Suddenly, life in Balabad for Oliver has become a whole lot more interesting . . . and dangerous.

Songs in Many Keys
$19.99
1862. A collection of verse from the American author, physician and father of Oliver Wendell Holmes, Jr. He turned from a career as a general practitioner to the academic. He was also a contributor to the Atlantic Monthly (which he named), penning the famous series of Breakfast-table sketches, which are imaginary conversations at a Boston boardinghouse and reflective of Holmes's opinions, charm, and wit. He began writing poetry when he was attending college at Cambridge. His first important poem, Old Ironsides, was a protest against the scrapping of the fighting ship Constitution. See other titles by this author available from Kessinger Publishing.

Open Road's Best of the Florida Keys
$8.06
Open Road''s Best of the Florida Keys gives readers a great mix of unique trips of varying lengths for great diving and fishing, kayaking through mangrove swamps and hundreds of square miles of sand and turtle grass flats, sightseeing along the bridges and causeways of stunning overseas highway, and visiting the fun and quirky towns along the way to anything-goes Key West. This edition includes a new chapter just on visiting Everglades National Park. Morris explores the delights of quaint B&B''s delicious seafood, the small islands and coral reefs that make up Dry Tortugas National Park, historic walks through Key West''s old town-and where to go to relax, hang out on a remote beach, and watch a beautiful sunset.